Tag: contemporary poetry

  • Between the Lines #9: The Missing Second

    Some poems begin with a story already attached to them.

    This one didn’t.

    It started with one line:

    The clock skipped a tick
    and my heart skipped a beat.

    I liked the way those two things mirrored each other—the clock and the heart both missing something at exactly the same moment.

    But then I started thinking about the second itself.

    If the clock skipped it…

    where did it go?

    And what if it wasn’t actually empty?

    What if, somewhere between one tick and the next, time stopped long enough to show you everything that could still happen?

    That question became The Missing Second.

    The Missing Second

    The clock skipped a tick
    and my heart skipped a beat.

    For one second,

    time forgot
    what it was supposed to do.

    The room stopped breathing.

    The curtains hung
    perfectly still.

    The dust suspended itself
    in the sunlight

    like even gravity
    had been told

    to wait.

    And somewhere

    between one second
    and the next,

    I lived an entire life.

    I saw myself older.

    Laugh lines
    where worry used to live.

    Silver threaded
    through my hair.

    Hands that finally stopped
    apologizing
    for taking up space.

    I saw people
    I haven’t met yet.

    Rooms
    I’ve never entered.

    Photographs
    that haven’t been taken.

    I heard laughter
    belonging to voices

    I don’t know.

    Yet.

    I watched myself
    lose people.

    Find others.

    Break.

    Heal.

    Break again.

    I learned
    that some promises last.

    Some don’t.

    Some people leave
    without becoming villains.

    Some people stay
    without needing to become heroes.

    I forgave things
    I still swear
    I never will.

    I stopped waiting
    for apologies

    that were never coming.

    I looked into a mirror

    and recognized

    the woman

    looking back.

    For once,

    I didn’t ask her

    what was wrong with her.

    I asked

    if she was happy.

    She smiled.

    Then—

    tick.

    The curtains moved.

    The dust fell.

    The world continued

    as though nothing

    had happened.

    No one looked up.

    No one asked

    where I’d been.

    The clock simply moved

    from one second

    to another.

    But I couldn’t.

    Because somewhere

    inside the second

    that never existed,

    I had met

    every version of myself

    I could still become.

    And suddenly

    I understood

    why my heart

    had skipped too.

    For one impossible moment,

    it wasn’t afraid

    of running out of time.

    It had simply

    seen

    how much life

    could still fit

    inside it.

    Between the Lines

    For a poem about the future, I didn’t want The Missing Second to predict anything.

    There are no names.

    No specific places.

    No exact future waiting at the end of it.

    Instead, there are pieces.

    People I haven’t met.

    Rooms I haven’t entered.

    Photographs that haven’t been taken.

    Voices I don’t recognize.

    I think that’s what makes the future in this poem feel possible to me. It isn’t promising that everything works out exactly the way I want it to.

    Actually, it very specifically doesn’t.

    I lose people.

    I break.

    I heal.

    And then I break again.

    Because seeing an entire life inside that second wouldn’t mean seeing a perfect one.

    It would mean seeing a whole one.

    There’s a difference.

    Yet.

    There’s one tiny word sitting by itself in this poem:

    I heard laughter
    belonging to voices

    I don’t know.

    Yet.

    I gave “Yet.” its own line because I wanted it to interrupt the thought.

    “I don’t know” feels complete.

    “I don’t know yet” doesn’t.

    That one word leaves something open.

    Somewhere in the future could be a person I’ve never met who will eventually become impossible to imagine my life without.

    There could be a room I’ve never entered that someday feels like home.

    There could be a photograph I haven’t taken yet that someday becomes one I can’t look at without remembering everything surrounding it.

    I can’t know any of that from where I’m standing now.

    That’s the point.

    Yet.

    Not Everyone Has to Be a Villain or a Hero

    These are probably some of my favorite lines in the poem:

    Some people leave
    without becoming villains.

    Some people stay
    without needing to become heroes.

    I didn’t want the future life inside that second divided neatly between people who stayed and people who hurt me.

    Some people are only meant to exist in certain parts of our lives.

    Someone leaving doesn’t automatically erase everything that came before it.

    And someone staying doesn’t mean they have to save us.

    Sometimes people are simply part of the story for however long they’re part of it.

    I think there’s something peaceful about imagining a future where I understand that.

    The Woman Waiting Inside the Second

    Then there’s the mirror.

    Of everything that happens inside this enormous life squeezed into one impossible second, this is one of the quietest moments:

    I looked into a mirror

    and recognized

    the woman

    looking back.

    For once,

    I didn’t ask her

    what was wrong with her.

    I asked

    if she was happy.

    She smiled.

    She doesn’t tell me what happens.

    She doesn’t explain how I got there.

    She doesn’t warn me about anything coming.

    She just smiles.

    And I think I like it better that way.

    Because the missing second isn’t supposed to hand me a map of my future.

    It’s only supposed to show me that there is one.

    Then—Tick.

    The clock eventually has to move again.

    I knew from the beginning that whatever happened inside that second couldn’t follow the speaker back into the room.

    The curtains move.

    The dust falls.

    Nobody notices anything happened.

    The clock simply continues doing what clocks do.

    But the person watching it doesn’t return quite as easily.

    That’s why the opening line comes back in a different way at the end.

    At first:

    The clock skipped a tick
    and my heart skipped a beat.

    It sounds like something is wrong.

    By the end, we finally understand why the heart followed the clock.

    For one impossible moment,

    it wasn’t afraid

    of running out of time.

    It had simply

    seen

    how much life

    could still fit

    inside it.

    And that’s what this poem eventually became for me.

    It isn’t really about stopping time.

    It’s about having more of it.

    Not knowing how much.

    Not knowing what happens inside it.

    Not knowing who comes, who goes, what hurts, what heals, or who I’ll be when I reach the other side of all those years.

    Just knowing there are still blank spaces.

    There are still people I don’t know.

    There are still photographs that haven’t been taken.

    There are still versions of me I haven’t met.

    The clock is going to keep ticking either way.

    But maybe every once in a while, it’s worth remembering how much life can happen between one tick and the next.

    Until next time,
    —Destiny

    P.S. If time skipped one second and let you glimpse your future, would you look—or would you rather not know?

  • Between the Lines #8: Little Star

    Some poems start with an idea.

    Others start with a line you’ve known so long that you almost don’t hear the words anymore.

    “Twinkle, twinkle, little star…”

    It’s one of the first songs a lot of us learn as children. We sing it before we know what stars actually are. Before we understand distance. Before we understand that the light reaching us might have been traveling for years.

    And before we learn that sometimes, the thing we’re looking at may already be gone.

    That thought stuck with me.

    Because there’s something strangely human about that.

    So I followed it.

    And it got darker than the nursery rhyme. 😅


    Little Star

    Twinkle, twinkle, little star,

    I used to wonder
    what you are.

    Before I learned
    that some lights

    are already dead.

    That sometimes
    we spend our whole lives

    looking at something

    that disappeared
    centuries ago.

    No one tells children that.

    We point toward the sky
    and call it beautiful.

    Make wishes
    on burning things.

    Teach them
    to close their eyes

    and ask the universe

    for whatever
    their tiny hearts desire.

    I wonder

    how many wishes

    were sent

    to something

    that wasn’t there

    to receive them.

    Maybe that’s why
    mine never came true.

    I used to lie
    beneath my blankets

    and watch the stars
    through my window.

    I thought

    they were watching back.

    Guardians.

    Tiny holes in heaven

    letting the light through.

    I didn’t know yet

    that darkness

    was the natural state
    of things.

    That light

    had to fight

    just to reach us.

    Sometimes,

    I still look up.

    Not to wish.

    I stopped doing that
    a long time ago.

    Now I count

    the dead things

    still shining.

    One.

    Two.

    Three.

    There are too many.

    And I wonder

    how long

    a person can disappear

    before everyone else

    notices

    their light

    is only a memory.

    How many times

    have I smiled

    after something inside me

    had already gone dark?

    How many people

    have looked at me

    and thought,

    She’s doing so well.

    Because they were seeing

    light

    that left me

    years ago?

    Maybe we are all

    a little like stars.

    Carrying old versions
    of ourselves

    across impossible distances.

    Letting people

    make wishes

    on pieces of us

    that no longer exist.

    Twinkle, twinkle,

    little star.

    I finally know

    what you are.

    Proof

    that something

    doesn’t have to be alive

    for its absence

    to take years

    to reach us.


    Between the Lines

    What got me about the idea behind this poem wasn’t really the stars.

    It was the delay.

    The idea that light can keep traveling after its source has changed—or disappeared entirely.

    And I started thinking about how often people do that, too.

    There are versions of ourselves that other people continue to see long after we’ve stopped being them.

    Maybe they remember the version of you who tolerated things you don’t tolerate anymore.

    The version who trusted more easily.

    The version who was louder.

    Softer.

    Happier.

    More naive.

    Maybe they’re looking at who you were five years ago and assuming that person is still standing in front of them.

    And sometimes, it happens in reverse.

    Sometimes we’re the ones sending out old light.

    We smile.

    We go to work.

    We answer messages.

    We make jokes.

    We tell people we’re fine.

    And from where everyone else is standing, we might genuinely look fine.

    They aren’t necessarily ignoring what’s happening inside us.

    They may simply be seeing the light that reached them.

    That’s where the line—

    How many people
    have looked at me
    and thought,

    She’s doing so well.

    —came from.

    There’s something sad about realizing that someone can look directly at you and still be seeing an older version of you.

    But I don’t think Little Star is entirely about sadness.

    I think it’s also about change.

    We spend our lives leaving versions of ourselves behind.

    Some disappear quietly.

    Some take years to let go of.

    Some probably still exist in somebody else’s memory exactly as we were when they last knew us.

    And maybe that’s okay.

    Because the person I was isn’t necessarily gone just because I’m not her anymore.

    Some of her light made it here.

    I carry pieces of her.

    Other people carry pieces of her.

    And someday, the person I am right now will probably become another one of those distant versions too.

    Still visible.

    Still affecting something.

    Just no longer the whole story.

    Maybe that’s what I like most about the stars.

    We look up and think we’re seeing what is.

    Sometimes we’re actually seeing what was.

    And unless we look a little closer, we may never know the difference.

    Until next time,

    —Destiny

    P.S. Some things keep shining long after they’ve changed. Maybe people do, too.